Jack (Adam Driver), a university instructor, is married to Babbette (Greta Gerwig). They've both been through marriages before, resulting in an expansive family including siblings, half-siblings, and animals—a group large enough to rival the Tower of Babel. The situation becomes more complicated by Jack’s teaching focus on Adolf Hitler despite his inability to speak German, and Babbette’s concealed reliance on a substance called "Dylar." This sets the stage for a portrayal of family issues that, unfortunately, didn't hold my attention. The narrative unfolds in an episodic fashion, with events often veering into absurdity and incredibility as they attempt to understand and escape from consequences of what is described as an “airborne toxic event.” Some moments are humorous, while others aren’t—and I question whether the overall idea can truly sustain the nearly two-and-a-half hours that Noah Baumbach dedicates to it. There were times when the story felt excessively artificial; the attempts at humor and situations seemed pushed to their limits in an effort to be original, but instead fell flat. It seems many filmmakers today try to challenge viewers to accept a growing level of nonsense or surrealism, almost inviting us to question the purpose behind it all—revealing ourselves as foolish because we lack understanding? While there are parts that elicited amusement, and Driver appears increasingly comfortable in unusual roles ("Annette" from 2021 being one example), ultimately this felt like an unfocused story offering a surplus of frustrating conversations alongside a plot that relies on paranoia and clichés without providing much insight or hope. Perhaps it would be better after another viewing, but I found the title to be remarkably accurate.

Source on TMDB