Daniel de la Vega appears to be building a reputation, and deservedly so. Because of this, he’s also bringing attention to Argentinian cinema, and after seeing two of his films—*Necrophobia* being the first—I’m really starting to appreciate his surreal and unusual approach. I realize that this style might not appeal to everyone, but I still think it's worth checking out. Virginia (Cardinali) and her daughter are driving across the country, trying to pass the time with a word game. Their car gets a flat tire near an abandoned and dilapidated cemetery. Suddenly, a stranger shows up and offers assistance, cautioning them not to linger in the area. A tow truck can be seen approaching. After they continue their journey, Virginia stops for gas and lunch. She tells her daughter to stay at the table while she steps outside to make a quick phone call—a familiar trope, I admit. Upon returning, her daughter is gone, and a disturbing, surreal game of chase begins, pulling Virginia into a situation from which she may not escape in order to find her child. This film is even more unsettling, disturbing, and harsh than *Necrophobia*. The length helps—he doesn’t overstay his welcome—and the quick pace keeps things moving relentlessly. It's certainly an unforgettable experience. Whether you understand what you've witnessed is another question entirely. It’s strange, perplexing, full of moments that make you wonder “what just happened,” and ultimately a fascinating if imperfect production. The film's quality is high, as was the case with *Necrophobia*, and the acting—particularly from the lead actors—is quite good, better than some recent Hollywood productions, to be sure. Also, one of my biggest complaints about movies, the sound design, is excellent; you never have trouble hearing what’s being said or reaching for the remote control. Subtitles might help with that, but overall, the film excels in this area. The cinematography (this time by Alejandro Giuliani) is also outstanding and seems to be a characteristic of de la Vega's work. He has a clear vision for what he wants viewers to see, and it appears he communicates that effectively with his cinematographers. The musical score is wonderful, complementing the film and setting perfectly without being intrusive. Everyone involved did an excellent job. If you’re in the mood for a violent, brutal film that will likely leave you bewildered and questioning things as the credits roll, this might be exactly what you're looking for. Be warned, however, it doesn't shy away from disturbing imagery involving harm to children, so discretion is advised for more sensitive viewers. I highly recommend it if you’re seeking something truly different.

Source on TMDB