The initial idea behind this unusual adaptation of the Frank family's experience hiding in an Amsterdam attic during World War II was appealing. Those familiar with Anne’s diary know she wrote her entries to an imaginary friend named "Kitty," and Ari Folman has used that connection to try and illuminate what happened to the young girl and her family through Kitty’s animated character. The animation quickly establishes that “Kitty” can only exist near the museum housing the diary, so she steals it, causing a disturbance. Along with Peter, she uncovers details about Anne's fate at Bergen-Belsen and also learns about ongoing immigration problems in Europe. This contemporary storyline felt disruptive to the narrative, in my opinion. While these modern issues are important, they don’t seem to belong alongside this account of Nazi persecution, which is effectively shown through dark-cloaked figures reminiscent of those guarding the "Emperor" in "Star Wars." The heartbreaking conclusion of Anne's life feels glossed over; the circumstances surrounding her capture aren't even addressed. It seemed that Folman shifted his focus toward current events during the final third, leaving the question raised by the film’s title somewhat unresolved. Some of the animation is skillfully done and creative, as is the music, which worked particularly well at the beginning. The movie definitely prompts reflection and is worth watching, but it might be better suited for television. If it encourages people to read the diary itself, then the effort has been worthwhile.

Source on TMDB