It feels strange to be encountering something like this when it’s so freezing out – picturing people in the Hungarian countryside waiting for what is presented as either a spectacular show or possibly a taxidermist’s worst dream. A massive whale appears and many of those present are left wondering how to interpret it. The unusual sight draws visitors from far away, and their presence begins to create tension within this close-knit community. This becomes particularly difficult for the kindhearted young János (Lars Rudolph), who previously provided amusement for everyone at the local pub. However, nobody really understands why this long-dead creature is causing such disruption. His aunt Tünde (Hanna Schygulla) attempts to get his doubtful uncle György (Peter Fitz) to lead a group in an attempt to reestablish some stability, but even that doesn’t appear likely to ease the situation as a crowd gathers at a hospital where scenes of utter despair might possibly bring them back to reason. Though it may not last? The film is clearly full of symbolic meaning, and I suspect the central idea is to suggest that by fostering unhappiness, the Soviets established an ideal environment for themselves to step in after the war. Perhaps it’s a bit harsh on the whale, but it seems destined to take responsibility for this unsettling drama where sensible actions vanish and traditional bonds and family ties are severely tested, sometimes with violence. The black-and-white cinematography and the deeply affecting music add considerable depth to the narrative, and Rudolph delivers a remarkably restrained yet emotionally powerful performance that supports the complicated story, resulting in an interesting drama that won’t leave you feeling cheerful, but could prompt some reflection.

Source on TMDB