It’s likely you already have an idea about how the story of former New York congressman Anthony Weiner unfolds. You might assume “Weiner,” a documentary chronicling his failed bid for mayor of New York City, would simply rehash familiar ground. I entered the screening with similar reservations, but I ended up seeing a truly gripping, captivating, and skillfully made film. Some viewers may consider this movie exploitative, dwelling too much on Weiner’s personal life, which is honestly nobody's business. Those interested in politics (like myself) will appreciate this fascinating look behind the scenes of a campaign facing a crisis. Observing how public relations strategies shift from aggressive to defensive is incredibly interesting, and this timely documentary also examines the media’s intense focus on scandal—and demonstrates their considerable influence when it comes to electing officials. “Weiner” thoroughly explores the professional and emotional toll that a political scandal can take. Directed by Josh Kriegman and Elyse Steinberg, the film clearly began as an upbeat highlight reel intended to showcase a disgraced candidate's comeback. The early scenes are cheerful, full of lively neighborhood campaigning and brimming with a general sense of optimism. All of this suddenly collapses as we witness on film the destruction of a candidate’s ambitions, principles, and a significant portion of his personal life. Weiner is married to Hillary Clinton’s longtime aide, Huma Abedin. She's an intelligent, resilient woman, but it’s heartbreaking to watch what appears to be a marriage falling apart because of a sexting scandal. Whether deliberate or not, the film strongly suggests emotional abuse within the marriage. There are numerous moments where the camera captures Abedin looking tearful, with her head down and arms crossed, staring blankly ahead. I commend the family for permitting the filmmakers to observe them, even during uncomfortable and deeply embarrassing private situations. Most viewers will be aware that Weiner (also known as ‘Carlos Danger’) is a disaster when it comes to his personal life, and most know the outcome of the mayoral race, but this film remains completely absorbing. He’s a political survivor, motivated by a genuine desire to work hard for his city. His policies and beliefs are all sensible—so why can't he simply stop sending inappropriate photos and texts? A particularly compelling scene occurs when he is asked on camera if he thinks “he has a problem.” Weiner’s honest response is as significant as it is revealing. The film’s clever approach of showing rather than telling makes it successful. While it doesn’t quite reach the level of my personal favorite documentaries, such as “Man On Wire,” “Grizzly Man” or “The Act of Killing,” the film is clear, concise, well-edited, and a model for what all documentaries should strive to be.

Source on TMDB