It’s easy to assume that teenage girls will act like teenage girls, particularly when they're going through those often-difficult and rebellious years. Efforts to correct them usually don't work out well, and that hasn't changed over time. This was certainly true in 1954 New Zealand, where a group of young women considered social or sexual “deviants” were sent to Te Motu School for Incorrigible and Delinquent Girls, run by the government. The school, situated on an isolated island that had previously been a leper colony and home to various outcasts, was supposedly created with the goal of helping these girls change their behavior and become suitable wives and mothers. This involved a strict program designed to “Christianize, civilize and assimilate,” with a strong focus on religious instruction. The film follows the experiences of these girls, narrated by the school’s cold, calculating, and seemingly dishonest head matron (Rima Te Wiata), many of which are shared through anecdotes and flashbacks. Some of these stories are amusingly funny (though they seem old-fashioned now), while others are sad, tragic, and deeply unfair. As the story progresses, things become more unsettling and disturbing, leading three of the residents (Erana James, Manaia Hall, Nathalie Morris) to secretly and bravely take action to protect themselves and their friends from a potentially terrible outcome. Writer-director Josephine Stewart-Te Whiu’s first feature film tells an interesting coming-of-age story (reportedly based on real events). Some viewers might find the “life in a strict girls' reform school” storyline somewhat disconnected, predictable, and unoriginal, but these flaws are overshadowed by what makes this movie unique: its strong writing, well-developed characters (particularly among the residents and supporting cast), a good balance of humor and drama, and beautiful scenery. The acting is also excellent, especially from James, Morris, Hall (who had no prior experience and auditioned for the part on a whim), and Te Wiata, who gives an exceptionally impressive performance that deserves recognition. What's most remarkable, though, is the work of first-time filmmaker Stewart-Te Whiu, a promising new voice whose debut suggests a successful career ahead. “We Were Dangerous” is one of those lesser-known arthouse films that has quietly gained a reputation as an inspiring piece of work from a talented newcomer who succeeded on her very first attempt. See it in theaters or online; otherwise, you should report to the head matron immediately.

Source on TMDB