I have a feeling something isn’t right with my corpse. Is it possible that the spirit of a deceased body is eliminating everyone who interacts with her remains medically? Considering the undeservedly low scores it received on popular online film databases, it seems likely that *Unrest*'s deliberate pacing and absence of graphic violence have worked against it, which is unfortunate. Director Jason Todd Ipson utilizes his personal experiences working in a Boston general surgery department to create a film filled with unsettling sensations. The story idea is clever, and the use of actual locations significantly enhances the sense of dread surrounding this twisted take on mortality. There's an originality to the movie that stands out; it’s clear the filmmaker wasn’t just trying to satisfy mainstream tastes for recognition. While the main character is portrayed by a strikingly beautiful actress (Corri English), her performance has a natural quality that fits the role exceptionally well. The film possesses a remarkable sense of realism, with the blending of genuine settings and subtle special effects working effectively within the mortuary environment. Atmosphere is vital in horror films that avoid excessive bloodshed, and *Unrest* delivers this in large quantities. It would have been simple for Ipson to depend on cheap scares, but he doesn't; instead, he uses his understanding of the setting and subject matter to build a suspenseful and gripping thriller that subtly unsettles the viewer. Even the cadaver, seemingly lifeless, becomes a fully realized character as the deaths accumulate. The musical score by Michael Cohen occasionally feels intrusive, and a romantic subplot seems somewhat unnecessary, while the ending doesn't quite live up to the buildup. Nevertheless, it’s an intelligent and somber film that is definitely worth seeing. 7.5/10
On September 23, 2026
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