I’m resisting the urge to make a comment about this movie’s name—some things are best left alone. I've been wanting to watch this film since it came out, but not because I anticipated anything good; my enjoyment comes from films of this nature. The trailer showed me something truly awful, pure cinematic trash. And that’s exactly what I got. The initial portion felt stretched thin and had one of the most sluggish speeds I've encountered all year. While I appreciate movies that take their time and meticulously present details, those are usually films with a clear intention. This isn't it. It feels like renting something from Redbox on a bad evening, or being pressured into watching a movie by your girlfriend—situations I haven’t experienced personally, but I imagine have happened to others. The first half drags and ultimately devolves into a self-aware joke. The final fifteen minutes were just a bizarre sequence of events that felt out of place in 2017. If you've seen the trailer, you already know what to expect. It practically spells out its entire plot, as if hoping someone will stumble upon it late one night. I watched it and received about what I thought I would. Rosario Dawson portrays a blogger-journalist with a seemingly perfect family, but there’s a catch: she used to be married to Katherin Hegel, who hasn't moved on from the divorce. She then starts devising ways to slowly ruin Dawson's life in an attempt to win back her ex-husband. The concept doesn't sound terrible, but the writing and how the story unfolds are so tangled and unrealistic that it becomes a parody. It’s not really a gradual progression; we’re immediately shown Hegel’s instability, revealing all her plans within the first fifteen minutes. It's practically shouting, "You know what you're getting into—enjoy the next ninety minutes." 3/10

Source on TMDB