I wasn’t familiar with these individuals beforehand, yet I still found myself deeply invested in their story. Maggie Barrett is just 75 years old, making her the youngest member of her marriage with Joel Meyerowitz, who is 84. He's been married previously, quite some time ago, and has a family, and he’s also achieved more commercial success as a photographer. Maggie is a novelist accustomed to receiving rejection letters. Perhaps this experience contributes to a sense that she isn’t valued enough, not necessarily by him directly, but stemming from a feeling of inadequacy or unimportance. They aren't living meager lives; despite setbacks related to the financial market, they divide their time between an apartment in Manhattan and a home in Tuscany, largely enjoying what one would consider a happily married life—complete with its share of challenges. She’s recently been diagnosed with a particularly severe form of osteoporosis, which is presenting them with something neither are well-prepared for emotionally. It's limiting her abilities, and that frustration is straining their relationship. She can be like a pressure cooker – when she loses control, she can act selfishly, cruelly, and seem oblivious to the fact that he’s also dealing with his own health problems and feels just as exasperated. The familiar saying about it being harder to care for someone who's ill than to be the one suffering is clearly illustrated as they confront mortality together, but not always in agreement. They weren’t entirely surprised by this development; it simply seems to be occurring unexpectedly, and no one is truly ready for this painful physical decline. I won’t pretend that I particularly liked Maggie. Self-indulgent came to mind, and at times the intrusive nature of this film made me question whether this couple even deserved our attention. So what? They are elderly and have lived fulfilling lives pursuing their passions with varying degrees of success. They aren't struggling financially or without shelter, and some of the conversations feel as superficial as those we all produce daily. Joel seems like a kind and considerate man, a loving person caught in circumstances he can only accept with stoicism. He rarely gets a chance to speak! Why should one watch this? Ultimately, I found it an interesting portrayal of how people can be both essential and burdensome—and for the most part, I believed they weren't acting for the camera, even though she occasionally has dramatic outbursts. As a look at aging, it’s worth seeing – if only because it offers insight into how those close to us might be coping with something similarly inevitable and difficult.
On October 4, 2026
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