It’s a worthwhile movie that warrants discussion and repeated viewings now. I often mention how essential a strong story is for any film, and this one serves as a prime example. The plot's power—how it grabs your attention and sparks curiosity—the way the characters are built and evolve to earn our empathy, all of it blends with superb performances from the actors and skillful direction. It feels somewhat overlooked these days, but its considerable quality makes it deserving of recognition. The narrative essentially explores themes of trust in others and in oneself. Maria, a young girl seemingly intent on making a bold statement, finds herself pregnant by a boyfriend who is indifferent to her and focused solely on his own needs. After he abandons her and she unintentionally causes her father’s death during an argument, she seeks solace in a friendship with Matthew, another teenager who appears unusually mature and possesses a broader knowledge base than most. He's also had legal troubles due to his refusal to conform to societal norms where mediocrity is valued and television holds excessive sway over people. They eventually find common ground and recognize the good qualities within each other. This isn’t intended as a comedy; I certainly didn’t experience it that way. There's an undeniable dramatic element in how events unfold, requiring the two main characters to undergo a transformative journey so they can learn to love and be loved. The film also highlights the problem of fractured families, showing marriages failing due to a lack of affection, understanding, routine, and shifting emotions. Hal Hartley’s direction is remarkably effective, especially considering I suspect the movie was made on a very limited budget. The cinematography is well-done, and the settings feel incredibly realistic. However, these are minor points when compared to the outstanding performances from the cast. Martin Donovan, familiar to many of us, delivers an exceptional performance here, showcasing his abilities impressively. Alongside him is the young and gifted Adrienne Shelly, whose life was tragically cut short—a loss we all know about. She’s captivating on screen and gives what is arguably her finest work. Rebecca Nelson and John MacKay also provide strong supporting roles.
On September 24, 2026
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