The movie has a lot going for it in terms of style and impressive visuals, but ultimately lacks depth. It's strange how “Tron” gained popularity, especially considering its initial lack of success. I’ve commented on this before, and my opinion hasn't changed: it's a film that resonates with me because it emerged from an era obsessed with electronics, yet felt ahead of its time. The visual effects and special effects now appear dated, like a 1990s cell phone. I'm unsure whether a sequel or a complete reimagining would have been more appropriate, but there’s no denying the superiority of this film; it boasts stunning visuals and CGI, alongside a noticeably better script—though not without its flaws. The story itself is serviceable, revolving around a wealthy young man who decides to undermine his own company, believing he's acting in accordance with his long-disappeared father’s wishes. He then receives a message that leads him to an old, defunct arcade and his father’s computer, where he gets pulled into a digital realm controlled by a ruthless program. It's essentially humans being sucked—literally—into computers. As if social media wasn’t enough! The film also relies on tired tropes: the strained relationship between an absent parent and their child, a sentimental subplot that doesn't quite make sense, and a one-dimensional villain lacking any real personality. Jeff Bridges reprises his role from the original movie, appearing both as himself and as a digitally created younger version of the character. He’s a capable actor, but he doesn’t seem to be at his best here; he simply goes through the motions, not making a lasting impression, just as he didn't in the first film. Garrett Hedlund has more screen time and functions as the main protagonist, though he mostly serves as an action figure. The film truly shines in its technical aspects, particularly thanks to the exceptional visual effects and CGI, which are exceptionally beautiful and well-crafted. By revisiting concepts from the original movie, they present a polished and refined aesthetic, avoiding obvious gimmicks that feel unbelievable, and utilizing a more sophisticated color palette. However, style and impressive visuals alone don't make a good film; there have been many recent examples of visually stunning movies with weak narratives. The sets, costumes, and electronic soundtrack by the French duo Daft Punk are also noteworthy.

Source on TMDB