Barry Winch’s "Tommy" centers on a young boy who exists in a detached state alongside his mother, Nora, portrayed by Ann-Margret, and her husband, Frank, played by Oliver Reed. A flashback reveals that Nora's first husband, a pilot during World War II, didn't survive, leading to the baby’s birth on VE Day—an event that might have seemed like a celebration just for him. The boy wasn't born this way; a past trauma seems to have affected his brain, leaving him unable to see, speak, or hear. Despite everyone’s efforts, and those of some unusual family acquaintances, he remains isolated until he discovers pinball. He proves remarkably skilled at the game, and as a result, his family experiences newfound wealth, with Nora enjoying luxuries like diamonds and opera performances. One evening, Nora becomes frustrated with her now-adult son, Roger Daltrey, leading to an argument that awakens him—and sets him on a path toward remembering the event that caused his silence. Mirrors play a significant role in the story, convincing Tommy he has a destiny akin to that of a religious figure, and prompting his family to embrace a zealous lifestyle reminiscent of "Elmer Gantry." While wealth, fame, and recognition come their way, Tommy still seeks something more—a sense of fulfillment. That seems unlikely, but Ken Russell delivers a wild and unpredictable journey as the people who enter Tommy’s life range from kind to disturbing. Tina Turner shines as the eccentric “Acid Queen,” and Elton John's portrayal of the "Pinball Wizard" is likely the standout moment in this rock opera that explores every facet of Tommy’s existence. Throughout, the film critiques sentimentality and greed, with Reed embodying those themes with ease. Ann-Margret truly commits to her role, delivering both vocal performances and dance numbers with exceptional skill. The final portion didn't entirely resonate with me, but perhaps a completely satisfying conclusion was never intended, and I hadn’t previously recognized Daltrey’s appeal; however, as the story progresses and he removes his shirt, it becomes clear why he excelled in this role—both physically and symbolically. It’s a diverse, somewhat indulgent, and occasionally rambling film, but that doesn't detract from its impact. Play it loud and let it run wild.
On September 24, 2026
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