Simon Pegg plays “Angel,” a police officer who finds himself transferred from the city to a quiet rural area, expecting things to be calm under the supervision of "Insp. Butterman" (Jim Broadbent). He's not happy about this assignment, arriving in a town where he’s immediately recognized and finding solace only in the pub with the younger “Butterman” (Nick Frost), where he drinks orange juice before going to bed in his hotel room. They are then asked to attend a local amateur dramatic production where the two leads appear to have more than just a professional relationship. The following morning, however, they're discovered dead near their car, initially dismissed as an accident by a young and somewhat naive CID officer. "Angel" isn’t convinced, and his investigation quickly reveals a series of unsettling clues. As the death toll rises dramatically, he and his friend find themselves in danger as this seemingly peaceful town descends into something resembling “Sleepy Hollow.” Could the charming local supermarket manager (Timothy Dalton) be responsible? Or perhaps the pub owner (Peter Wright)? Maybe it’s his landlady (Billie Whitelaw), or even the vicar (Paul Freeman)? Faced with a multitude of suspects, can they uncover the truth behind these murders? The film shares similarities with “Shaun of the Dead” (2004), although without any zombies to fight. There's still plenty to target as it playfully mocks rural life, from old conflicts to planning disputes and land transactions, even incorporating elements of cultism. The dynamic between Pegg and Frost is a key strength, bringing energy to the witty and agreeable script, while the supporting cast portrays villagers reminiscent of those created by Agatha Christie. While the conclusion feels somewhat drawn out, for most of its two-hour runtime it maintains a brisk and enjoyable pace.

Source on TMDB