This feels definitively like the end of an era for the James Bond films. It marks the final appearance of 007 portrayed as that detached killer he is. This is the last time we encounter a Bond whose morality stems solely from his allegiance, rather than any inherent goodness within him. Later installments would describe him as a blunt tool, and here, he still embodies that description. He remains the one pulling the trigger, showing little regard for human life and prioritizing the mission above all else. Following this film, we move into a period of more lighthearted 007 adventures, with a brief detour for Lazenby, who managed to balance things but ultimately leaned toward Connery’s style rather than Moore's. While those later films still have their charms—and I do enjoy them—the franchise never recaptured that sense of danger or effortless style. However, it's also the film where elaborate special effects and extravagant action sequences were first introduced, becoming a familiar characteristic of Bond movies going forward. Therefore, it serves as a transition point between the traditional and modern iterations of 007, and although I appreciate both approaches, I prefer the earlier style just a bit more.

Source on TMDB