Mohammad Rasoulof deserves recognition for creating a movie prohibited by the ruling government of Iran. The very topic he addresses highlights remarkable bravery: four distinct narratives examining how everyday individuals deal with issues like involvement, morality, opposition, and ethical duty when confronted with, or compelled to accept, state-ordered executions. What makes "There Is No Evil" so impactful is its unwillingness to offer simple solutions. Each section portrays a different perspective on the death penalty—those who take part in it, those who decline, those affected by its repercussions, and those who attempt to escape. Rasoulof recognizes that wrongdoing isn’t some impersonal entity but rather the result of decisions made under duress, the concessions ordinary people make to endure within harsh regimes. It's easy to see this as a problem occurring far away, in a nation seemingly detached from Western societies. However, that perception is misleading. Governments in the West are increasingly adopting methods similar to those used in Iran. The situation may not be quite as extreme currently, but it remains deeply troubling for people who value human rights. "There Is No Evil" isn't solely about Iran; it serves as a cautionary tale regarding what occurs when individuals cease challenging authority, when cooperation becomes commonplace, and when decent individuals opt to remain quiet. This film is undeniably potent. It’s genuinely affecting.

Source on TMDB