I’m a lawyer not a bodyguard. Michael Gordon directed The Web, which was written by William Bowers, Bertram Millhauser, and Harry Kurnitz. Edmond O'Brien, Ella Raines, William Bendix, and Vincent Price are in the cast. Hans J. Salter composed the music, and Irving Glassberg handled the cinematography. It’s a well-made film noir from what is considered to be the genre’s best period. The story introduces O'Brien as an attorney who, after making a good impression on the shrewd businessman Vincent Price with his dedication, is employed as protection because Price fears for his safety due to a supposed threat from a former partner. As expected, things aren't straightforward and soon O'Brien comes under suspicion regarding the death of that associate. The script isn’t exceptional; the plot developments are predictable, almost telegraphed, but this is a minor issue because the appeal lies in the characters and their dialogue. O'Brien delivers clever lines with confidence, Raines exudes alluring charm, and Price embodies sly scheming. Bendix, playing a police officer, feels somewhat distant from the main story, which might disappoint some fans, though his interactions with O’Brien are entertaining and full of sharp barbs. Gordon and Glassberg contribute to the film noir atmosphere through their use of shadows and camera angles—I appreciate those familiar slats and balustrades. The technical aspects work well alongside appealing characters: a likable lead, an attractive woman, a slippery bad guy, and even Billy Bendix makes it worthwhile. 7/10

On September 20, 2026
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