The rating might be generous. It definitely has problems; Michael Pena, who I generally enjoy watching, seemed awkward here, almost like he wasn’t really engaged with the material. Djimoun Hinsou's presence was intriguing and prompted me to watch it, but his screen time amounted to just a few minutes. The visuals are pleasing, however, the editing feels off—the person who put it together doesn't seem to understand how to create a good rhythm, and it’s clear they were aiming for brevity, jumping between scenes with minimal transition or pause. It runs under ninety minutes (around eighty-three before the credits). There aren't many unexpected moments, and while I thought the concept behind the ending was acceptable, it felt hurried. It's worth mentioning that, contrary to what plotsummario indicates, this isn’t presented in a found footage style.

Source on TMDB