This well-known slasher movie with its recognizable name doesn't shy away from blood, violence, or nudity; it delivers exactly what you’d anticipate from a film like this. Reportedly inspired by actual events, the story centers on four women in an apartment complex who are viciously killed using common tools. The perpetrator, as the filmmakers openly reveal, is Cameron Mitchell, the building's owner. Mitchell is portrayed as deeply religious and grieving the recent loss of his daughter in a car crash, which leads him to target women he deems "sinful." The final third of the movie involves the deaths of two significant characters, concluding with an end-credits sequence detailing what happened to the “survivors” of this purported real-life series of crimes. Despite its R rating, the film contains some extremely graphic violence. The initial thirty minutes, which depict most of the killings, are difficult to watch. One of the earliest murders features the now-famous scene involving a model in a bathtub. Blood is abundant, and the deaths are accompanied by unusual country and love songs. A subplot concerning Ferdin and Beauvy's mom and a typical determined police detective develops but never reaches a satisfying conclusion. Ferdin and Eure were familiar faces on television during the 1970s and perform adequately given the nature of their roles. Donnelly’s direction is fairly straightforward; occasional camera shadows are noticeable. Gary Graver, the cinematographer, later became known for his work with Orson Welles, and his involvement typically signals what kind of movie you're in for. I honestly can’t say why I am suggesting this film. Those who enjoy gore might find the special effects appealing, and the notoriety the film has gained is undeniable. It’s a serial killer movie that predates the popularization of the term "serial killer." The events are viewable, though. “The Toolbox Murders” isn't comparable to "Scream" or "Urban Legends"; it’s the kind of movie with no apparent purpose other than to frighten and repulse its audience. If that was their sole intention, they certainly succeeded.
On September 25, 2026
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