I find myself increasingly appreciating Jiang Wen’s movies; they possess a distinct creativity, a playful sense of humor, political undertones, and are deeply rooted in Chinese traditions. *The Sun Also Rises* feels different from what he typically does, moving away from direct political statements. The film launches with an initial burst of chaotic energy and proceeds from that point. Even after the credits rolled, I honestly wasn’t certain about what I'd witnessed. It seemed like the underlying significance was too difficult to grasp, perhaps for anyone. However, after considering it overnight, everything clicked into place. This unusual entry in Jiang’s filmography can be described as an experimental work, reminiscent of the Beat Generation, presenting a poetic exploration of love, grief, mortality, and existence. It might very well be his finest achievement so far.

Source on TMDB