The film presents a disturbing look at advancement and humanity's drive for flawlessness. It is striking to observe, with images so strange they frequently elicit conflicting feelings of excitement and unease. Despite its ambition and occasional moments of genuine discomfort, it falls short of attaining that ideal sense of equilibrium. The storytelling falters on occasion, featuring inconsistencies that lessen the film’s effect as a whole. It provokes contemplation, but doesn't represent a major leap forward—a movie that surpasses typical fare, though not quite reaching greatness. I often wonder if the director passed away during production and was secretly substituted by Yoshihiro Nishimura.
On September 24, 2026
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