The presence of well-known actors doesn’t save what is ultimately a flawed and fragmented movie, seeming more focused on showcasing the performers than delivering a unified narrative. Joanna, portrayed by Nicole Kidman, finds herself pushed aside after years of overwork and a resulting emotional crisis, her husband, Walter, played by Matthew Broderick, relocating her to a seemingly idyllic but unsettling Connecticut suburb. They quickly discover that this place is remarkably devoid of charm and personality. The wives of their neighbors appear to be competing for the title of most superficial woman, obsessing over appearances—clothing, hair, gardens—while the men seem to exist in a state of leisure under the guidance of Mike Wellington (Christopher Walker) and his stylish wife, Claire (Glenn Close). Bobbie, played by Bette Midler, provides Joanna with a tenuous connection to reality as one of the few individuals exhibiting any semblance of sanity within this picture-perfect environment. The question arises: how long before she too is overtaken—or can she possibly resist—the influence of the spa and the men’s club? There's not much to appreciate or find pleasurable in the film. A greater sense of humor and more engaging performances would have been necessary for it to succeed. The story progresses in a slow and heavy-handed manner, offering little substance for the audience to engage with. Midler seems to have the best opportunity to bring some personality to the proceedings, but even she struggles against the dense dialogue and uninspired acting. While visually appealing—it’s clear effort was put into that aspect—the rest of it is simply subpar and disheartening. The 1975 version isn't particularly good, but it surpasses this one considerably.

Source on TMDB