Having discarded the traces of violence he left behind, “Jerry” (Terry Quinn) boards a ferry, hoping to escape his past and begin anew. He establishes a life with “Susan” (Shelley Hack) and her daughter, “Stephanie” (Jill Schoelen). Initially, things appear stable; he has employment as a realtor, and while his connection with his step-daughter isn’t ideal, it seems manageable. However, the story takes a turn when his darker nature resurfaces. His family proves more resistant than he anticipated, leading to predictable responses and further plot developments. I have a feeling some viewers might find his handling of his difficult step-daughter relatable, but others may struggle with the escalating unpleasantness that unfolds. Essentially, this is what the story revolves around. The concept isn’t groundbreaking, nor does it deviate significantly from familiar territory; the dramatic tension is drawn out repeatedly to amplify the sense of danger, though at the expense of believability. “Ogilvie” (Stephen Shellen) appears as a pursuing figure, but that storyline fades away before reaching an ending that feels hurried and awkwardly sets up future installments. It’s passable, but unremarkable, I'm afraid.
On September 26, 2026
#12502
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