I keep returning to ‘The Souvenir’ even as I write this review. Initially, I walked out of the cinema feeling let down and annoyed with it, wishing it had connected with me more deeply rather than just existing before me. However, a friend suggested that it's the kind of film that improves with time. I believe they might be correct. The more I consider Joanna Hogg’s work, mirroring how Joanna Hogg examines her own experiences, the more thought-provoking questions and ideas I uncover. Currently, my appreciation for the film exceeds outright affection, but I felt similarly about Chang-dong Lee’s ‘Burning’ a year ago before realizing it was actually a masterpiece upon a second viewing. It's uncertain if ‘The Souvenir’ will follow that same trajectory, though I wouldn't be shocked if my opinion shifts when asked again in the future. What makes ‘The Souvenir’ particularly captivating is Joanna Hogg’s original plan to make it a two-part story, with Part II presently being filmed. Perhaps what's missing is an understanding of where she intends to take the narrative, what will happen next in Julie’s journey as an artist, and how hardship will affect her both professionally and personally. In that regard, despite its imperfections, ‘The Souvenir’ could be one of the most stimulating works in independent film recently. The more I reflect on it, the more eager I am to watch it again, and the more interested I am to see where Julie's story leads.

Source on TMDB