With their livelihood, family home, and children's futures hanging in the balance, Ray (played by Gillian Anderson) and her husband Moth (Jason Isaacs) find themselves with very little money left and decide to take a hike. A considerable hike, actually – along England’s southwest coast toward Land’s End. Carrying just backpacks between them, they begin their journey along the wild coastline, and as the story unfolds, we discover what led to their financial difficulties, his struggle with CBD, and the essence of this couple's bond; even while living without shelter, begging for meals, and him being mistaken for a well-known local figure, they appear, and want to stay, deeply connected. It’s an uncomplicated narrative that is full of personality, with both Anderson and Isaacs giving performances that are friendly and occasionally quite moving. As they walk, we also get the opportunity to appreciate some of the beautiful views of this exposed area, and those locations create a few moments of (afternoon tea) danger, lighthearted conversation, and some of that uplifting feeling that is frequently presented in large doses but here comes across more quietly and with greater emphasis on the characters. The film draws from a real-life experience, and her involvement lends it an air of genuineness, prompting reflection about how easily any of us could find ourselves in a similar situation as everyday people confront hardship head-on. It’s not essential to see this one on the big screen; like “The Last Bus” (2021), it's simply one of those British dramas that works well.
On September 23, 2026
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