The story centers on a writer named Ingrid, portrayed by Julianne Moore, who learns that her friend Martha, played by Tilda Swinton, has cancer. After visiting Martha in the hospital and seeing her condition, they begin to grow closer, relying on each other as they share personal details. When an experimental treatment proves ineffective, Martha suggests a risky plan involving a retreat to Woodstock where she intends to take control of the situation. Ingrid is hesitant about this idea and its potential legal and ethical consequences, so she seeks guidance from their former boyfriend, Damian, portrayed by John Turturro, while struggling with her conscience. The premise itself is quite moving, particularly given current discussions in the UK regarding the rights of those facing terminal illness to make decisions without fear of repercussions for their loved ones. However, I didn't find the execution or style entirely successful. A significant portion of the conversations between the two women felt more like exposition intended for the audience than a genuine effort to establish a connection between them. Information they would presumably already know is presented in an overly formal way, and at times I even questioned whether some scenes were dubbed. The film handles deeply emotional themes with a surprising detachment. While both actors give strong performances, their relationship doesn’t feel authentic—at least, not to me—and the excessive dialogue ultimately diminished the potential emotional impact. Alex Høgh Andersen makes a brief appearance, reminding viewers of the horrors of the Vietnam War, but otherwise the film largely focuses on two women confronting a situation we all fear, albeit in an unconvincing manner.
On September 29, 2026
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