Michael Powell and Emeric Pressburger delivered something truly special here, showcasing both cinematography and choreography in a remarkable way. Moira Shearer gives an outstanding performance as "Victoria," a ballet student who must endure the demanding instruction of the renowned “Lermontov” (Anton Walbrook). This instructor requires complete dedication, so when Victoria develops feelings for composer "Craster" (Marius Goring), she finds herself in trouble. She ultimately selects love, but even after marriage, internal conflict persists. Upon revisiting years later to witness her husband’s newly completed ballet, the formidable “Lermontov” reveals his ability to manipulate her, forcing a deeply emotional decision. Powell and Pressburger transformed a straightforward Hans Christian Anderson narrative into an intense exploration of love, ambition, power dynamics, and control. Strong emotions and harshness are present throughout, all set against Brian Easdale’s original score for "Ballet of the Red Shoes." I believe Anton Walbrook and Marius Goring were not given enough recognition; they displayed a versatility that allowed them to portray characters who either highlighted the best or worst aspects of human nature. The dancing is often captivating, blending theatrical performance with cinematic techniques to create an astonishing effect. I became invested in Victoria’s journey and even felt drawn to the unpleasant Lermontov – it made me wonder what choice I would have made. It's a wonderful film that combines classic storytelling with a creative and thoroughly enjoyable adaptation. While Sir Matthew Bourne’s recent production at Sadler’s Wells was good, this original remains far superior.

Source on TMDB