It was the fact that John Ford gave considerable screen time to supporting actors—people who had previously contributed significantly to building John Wayne’s stardom—that I found most appealing about this understated romantic story. He plays "Thornton," an ex-boxer going back to rural Ireland, where he's met with a varied reception as he intends to build a life on land that once belonged to his family. Thornton successfully bids higher than the local landowner "Danaher" (Victor McLaglen), alongside the widow "Sarah" (Mildred Natwick). Upon arriving, he finds himself near "Mary Kate" (Maureen O'Hara), who turns out to be the sister of a man now opposing him. His arrival begins to divide the townspeople, but with the playful involvement of "Flynn" (Barry Fitzgerald) and the local priest "Lonergan" (Ward Bond), he starts seriously pursuing her. Numerous silly incidents happen as she demonstrates that she’s his match in practically every respect, and her brother resists before a resolution that ranks among the most entertaining moments in film. The vibrant cinematography feels directly lifted from "Glocca Morra," and Wayne reveals a somewhat broader range to his acting, which is often quite basic, as he and an excellent O'Hara playfully spar with each other. Nevertheless, it’s essentially a movie where others provide memorable support for about two hours, creating a humorous and captivating sense of community; and despite being remarkably airy and frivolous, it remains enjoyable.

Source on TMDB