In the Hong Kong action thriller *The Prosecutor*, a young man named Ma Ka-kit shares a modest home with his Uncle Ma. To earn extra money, he rents out his address, but this leads to trouble when he’s arrested for drug smuggling after receiving a package containing cocaine. Chan Kwok-wing, another defendant in the case, is revealed to have used Ma Ka-kit's address to make the purchase. Ma Ka-kit (played by Mason Fung) is persuaded by his defense lawyer Li Sze-man (Shirley Chan) and legal executive Au Pak-man (Julian Cheung) to plead guilty hoping for a lighter sentence. However, at the leniency court hearing, Ma Ka-kit receives a 27-year prison term while Chan Kwok-wing (Locker Lam) is found not guilty. Now, Ma Ka-kit’s future depends on Fok Chi-ho (Donnie Yen), who used to be a narcotics police detective but now works as a public prosecutor. Written by Edmond Wong—who previously worked on *Ip Man 1-4* and *The Monkey King: Havoc in Heaven's Palace*—*The Prosecutor* is based on an actual case from 2016. The film was also directed and produced by Donnie Yen, who also directed *Sakra*. Fok Chi-ho joins the Department of Justice under the guidance of Bao Ding (Kent Cheng) and learns that the DOJ generally leaves important decisions to chief prosecutor Yeung Dit-lap (Francis Ng). Interestingly, Donnie Yen initially hesitated about taking on this role because most of the action was added after he signed on. He wasn't familiar with legal dramas before, but collaborated with Edmond Wong and his stunt team to create a film that combines dramatic elements with unique action sequences. Many foreign martial arts films have great action but weak stories or acting. However, *The Prosecutor* is first and foremost an engaging drama that’s enhanced by its action. Despite turning 62 this year, Donnie Yen's martial arts skills remain impressive, thanks to a strong script from Edmond Wong and the talented supporting cast. There’s a conflict between how the legal system, particularly the DOJ, operates and Fok Chi-ho’s approach as a prosecutor. Fok vigorously advocates for Ma Ka-kit because he believes this young man has potential that's being stifled by his lack of financial resources. Those at the DOJ frequently tease Fok about his willingness to give people a fair chance, even when it goes against standard procedure. It's essentially a clash between the government’s vast wealth and rigid policies versus an impoverished underdog. *The Prosecutor* doesn’t have excessive action but features several memorable sequences that rank among Donnie Yen’s best work. The opening scene depicts a drug bust showing Fok in his final days as a police officer, where he grabs a shield and takes down everyone while the camera shifts to a first-person perspective. He also includes some dropkicks. After transitioning careers, Lee King-wai (MC Cheung Tin-fu), formerly Fok’s subordinate, becomes police inspector. The two work together on an intense action sequence in an alleyway that features Lee King-wai using MMA takedowns similar to those Yen performed in *Flash Point*. This scene also includes Yen expertly driving a car into the narrow space and then continuing the fight with a hockey stick. The club scene is visually striking due to its lighting, but it also showcases some unusual drone camera work as Fok holds off 100 opponents on his own. The subway finale is the absolute best sequence in the film; seeing such brutal action in a confined moving space is remarkable. I initially hoped that Donnie Yen would frequently shout “OBJECTION!” or “OVERRULED!” and then beat up criminals with punches, at least 17 dropkicks, and finish with a suplex. *The Prosecutor* delivers on this expectation while also being surprisingly well-written and featuring strong performances from the entire cast.

Source on TMDB