I’m a big fan of musicals, but Netflix’s vision for a bright, happy, vibrant, and meaningful movie ended up being one of the most uncomfortable, stereotyped, and over-the-top films I've seen all year. Featuring an unbelievably exaggerated (and frankly, somewhat disrespectful) performance from James Corden alongside Jo Ellen Pellman’s flat portrayal, Ryan Murphy’s first film in a decade since Eat, Pray, Love is a real letdown. The Prom aims to champion acceptance by showcasing an inclusive dance where everyone can feel welcome and secure in who they are. Yet, it avoids depicting even a single same-sex kiss or any genuine intimacy, only including that near the very end, while having no trouble fleshing out a heterosexual relationship instead. The frequent musical numbers mostly feel incredibly unnatural, which makes the film seem more like a series of disconnected scenes than a cohesive story. While there are some strong performances—Meryl Streep, Nicole Kidman, Andrew Rannells, and Keegan-Michael Key stand out—a few amusing songs, appealing choreography and cinematography (Matthew Libatique), and an admittedly bold design prevent it from being totally awful, but ultimately, it’s still a mess. Rating: D+

Source on TMDB