Easton Rocket Sweda’s portrayal of the "Taylor" character is genuinely captivating within this entertaining and swiftly paced family fantasy. Taylor is a young man who strongly dislikes physical contact and primarily communicates through an audio board or by drawing on an Etch-a-Sketch. It initially seemed excessive, but after meeting his family, it's possible he has a point. When his grandfather’s antique clock arrives and is placed in his basement, where he begins to repair it—rather unexpectedly—it starts working again. His parents, portrayed convincingly by Isla Blair and Greg Kinnear, have gathered the family for a dinner that evening to announce their decision to separate, but "Taylor" has found out that the restored clock allows him to alter time – limited to a twenty-four hour span. He believes he can improve his parent's troubled marriage; however, each attempt to prevent familial problems seems to reset everything. He then decides to involve his affectionate sister, “Emma” (Shay Rudolph), and subsequently their brother "Max" (Mason Shea Joyce—wasn’t he in "McFly"?). As they interfere more, the situation only becomes more complicated, with the adults constantly narrowly avoiding disaster. Father Time himself seems weary of the story's repetitive nature – and it’s not just him. When the children realize that this can’t continue forever, a resolution is inevitable. The film functions effectively for roughly an hour, featuring a peculiar plot and the five main characters enjoying themselves with almonds, a bright red sports car, and some artificial snow. However, beyond that point, the narrative begins to repeat itself too frequently as it moves toward a rather foreseeable ending. It’s simple enough to watch, but unlikely to be memorable and probably not worth seeing on the big screen.
On September 25, 2026
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