It’s an acceptable movie that manages to provide some entertainment, though it falls short of what would truly impress. Following a long period of inactivity, the "Pink Panther" series was allowed a limited revival with two films featuring Steve Martin. I recall seeing the earlier installments from the 60s, 70s, and 80s, where Peter Sellers portrayed the iconic Inspector Clouseau. After Sellers passed away, the franchise continued but produced some truly poor movies that ultimately led to its demise. This new film received negative reviews and failed to fully satisfy audiences, yet it was a financial success and continues to be shown frequently on television—something the original films no longer experience. I think Steve Martin’s casting as the lead was a sensible decision, as he attempted to honor Sellers' legacy (an actor whom Martin himself acknowledged admiring). Martin is capable and a familiar comedic performer, but his humor leans toward being more obvious and less clever than Sellers’. To be honest, he isn't particularly amusing. Jean Reno’s presence was enjoyable; he seemed comfortable in his role and with the type of comedy assigned to him. Emily Mortimer also did well as a sort of idealized romantic interest—I found her much funnier than Martin. Kevin Kline didn't quite succeed as Dreyfus: he brought an excessive seriousness to the part that diminished its humor. Beyoncé, it seems, was selected primarily for her looks and ability to draw fans into theaters; she doesn’t portray a character so much as simply be herself. The script is one of this film’s main issues—the plot is convoluted and improbable, with the pink diamond being stolen almost openly shortly after its owner, a well-known football coach, dies. The story itself feels flimsy and uninteresting. While the visuals are adequate, the filming locations are nicely selected and utilized, and the animated opening credits are quite good, much of the rest struggles: the editing and visual effects aren’t strong, the film's rhythm feels inconsistent, and the music seems restricted to variations on a theme inspired by Mancini’s original score.

Source on TMDB