The Perfect Storm is something I genuinely adore. “The fog’s just lifting, you throw off your bow line, you throw off your stern—you head out to South Chanel past Rocky Neck…Ten Pound Island, past Niles Pond where I skated as a kid—and you blow your air horn and throw a wave to the lighthouse keepers kid on Thatcher's Island—then the birds show up, black backs and herring gulls, big dump ducks—the sun hits you, head North, open up to 12, you’re steaming now, the guys are busy, you’re in charge—you know what? You’re a god damn sword boat captain, is there anything better in the world?” Normally I would try to write something balanced and honest, hoping it would appeal to people with different viewpoints. But with The Perfect Storm, I just want to explain why I love this movie, and how much of a split reaction it's caused. I’m aware that some have issues with the film, even those connected to the real Captain Billy Tyne—played by George Clooney—but as an exciting spectacle filled with powerful emotions, The Perfect Storm always hits all the right notes for me. The development of the characters is truly wonderful: people trying to prove something, romances that are broken and then renewed, loyalties tested, old grudges resurfacing, and the complete lives of these sea fishermen shown in the first part of the film. Then there’s the scene where George Clooney delivers the monologue I started this review with; it's beautifully spoken, but what really gets to me is Linda Greenlaw's (Mary Elizabeth Mastrantonio) expression as she watches him—it’s just wonderful. After that, the crew heads out to sea, hoping for a big payday at the fish market. There's tension, accidents happen, heroes emerge and rivalries quickly disappear, but they need to go even further if they want to control the market; the Grand Banks are treacherous this time of year. A three-part storm is on its way toward them, and as Linda tells Billy over the radio, they’re heading straight into the heart of it—and what a monster it is. Here, director Wolfgang Petersen, cinematographer John Seale, and special effects supervisor John Frazier really put me right there in the middle of the waves and action. Then comes the final section, which is emotionally devastating; even the ending sequence that some dislike can’t diminish my appreciation for the film. I'd bet that few funeral eulogies have been delivered with as much heartbreaking emotion as Mastrantonio’s here. All of this is accompanied by a truly immersive score from James Horner, reminiscent of Braveheart's emotional intensity. It's just my personal opinion, but The Perfect Storm is a magnificent film that I enjoy three times each year, and no one will ever be able to change how I feel about it. "There’s no goodbyes Christina, only love," absolutely! 9/10

Source on TMDB