The film *The Mechanic* struggles to overcome its uninspired storyline. “Amat Victoria Curran - Victory Loves Preparation” – these words are etched on the barrel of Sutherland’s gun. Aside from that, West delivers a reimagining of the action movie originally starring Bronson, though it notably lacks any scenes involving vehicle repairs. Because, for those not involved with criminal organizations (and hopefully that's everyone), “mechanic” is slang for a hitman. Even though Statham has lost his hair and can apply a fake barcode tattoo to his head for a bit of amusement, West couldn’t call the movie *Hitman*, so he picked up a wrench and entered remake territory. Considering everything, this is one of the more bearable movies West has made in recent years. “Mechanic” Arthur Bishop is tasked with killing his mentor and then takes on his troubled son as a seemingly kind gesture. As usual, Statham is dispatching people using whatever he can get his hands on, most memorably a suitcase handle this time around. The editing feels rushed, the film is quickly forgotten, and it rarely focuses on making assassinations appear accidental. There’s narration throughout, a couple of plot developments that lack any real impact, and Sutherland's talent is largely wasted. Plus, another “mechanic” character has a soft spot for young boys and dogs – they simply don’t connect. The film does have moments when it shines, particularly when exploring the life of McKenna’s son Steve, played by Foster, who deserves more recognition and delivers consistently strong performances. He's a reckless person who turned to drugs and a disreputable lifestyle to cope with a difficult childhood, seeking some form of payback to ease his pain. His internal struggles make him the relatable element in what is otherwise a predictable action movie filled with explosions and gunfire. It’s a contrast between Arthur’s professionalism and Steve's inexperience, which creates an unexpectedly compelling battle of wits. The killings themselves were straightforward, not particularly inventive, but believable. There are a few odd moments, including a man looking at a tiny nut that fell out of a drain (don't worry about it), but nothing too strange. The use of Schubert’s Trio No. 2 in E-flat Major was surprisingly effective. Ultimately, *The Mechanic* is a typical Statham movie – elevated by a great supporting performance, but held back by a dull plot. It serves its purpose, but you won't remember it for long.

Source on TMDB