Liam Neeson returns in “The Marksman,” and despite its imperfections, the movie delivers what his audience is looking for and addresses current events in a compelling way. Neeson portrays Jim, a widower who manages a small, financially unstable ranch close to the border in Arizona. Burdened by significant medical expenses following his wife’s death, Jim faces foreclosure and feels let down by the system after serving as a Marine. He frequently patrols the border fence, reporting suspected illegal crossings, but is also inclined to help those he finds struggling. When Jim meets a young woman and her son Miguel (Jacob Perez), he becomes entangled in danger when they are pursued by ruthless individuals. A confrontation ensues, forcing Jim to fire his weapon, resulting in the deaths of one pursuer and the boy’s mother. Jim hands Miguel over to the Border Patrol, where his daughter Sarah (Katheryn Winnick) oversees the local office and worries about the boy's impending return. Recognizing those he previously clashed with waiting for Miguel to cross, Jim decides to fulfill the dying request of Miguel’s mother by taking him to family in Chicago, even if it means removing him from official custody. This journey not only creates conflict with his daughter but also with Miguel himself, who wants to go back home, and prompts the dangerous individuals to enter the U.S. to relentlessly track Jim and Miguel for retribution. The film progresses at a measured speed until the final act provides viewers with the kind of action they anticipate. It requires some tolerance as I noticed several chances for someone with Jim’s abilities to set up traps or confront the dangers ahead, but the concluding moments are enjoyable and fulfilling. Although “The Marksman” lacks the intensity and action found in some of Neeson's earlier films, it offers sufficient entertainment to warrant viewing and incorporates themes that ignite passionate discussions. 3 stars out of 5

Source on TMDB