It was hard to miss how much Pedro Pascal’s voice, coming from behind that distinctive "Mandalorian" helmet – a rare and valuable piece of gear, apparently – resembled Clint Eastwood’s. It says something about this fairly ordinary science fiction story that that comparison kept popping into my head during the initial portion of what felt like a very familiar plot. He plays a formidable bounty hunter who travels across the galaxy searching for criminals alongside his small companion, "Grogu." Employing various tools and some quite skillful ninja-like maneuvers, the "Mandalorian" is effective at delivering former imperial officials to "Col. Ward" (Sigourney Weaver) and her "New Republic". Their current assignment has them pursuing "Rotta," Jabba the Hutt’s son, with the goal of reuniting him with his relatives. Once he's returned, they are promised information about "Janu" (Jonny Coyne), a person who has managed to stay hidden from the republic’s most wanted list. However, things quickly deviate from what is anticipated and he unexpectedly finds himself battling a deceptive "Hutt," while his elf-like apprentice turns out to be surprisingly helpful with both using the "Force" and building structures made of mud brick. It's not that this isn't pleasant to watch, but it’s just so ordinary. The situations unfold from one episode to another in a predictable manner, revisiting storylines previously seen in other "Star Wars" films and elsewhere. There are a few cute moments featuring “Grogu” as he observes cage fighting while eating snacks and demonstrates an ability to consume practically anything, yet the story itself is simply too shallow and the characters lack depth, making them about as likely to succeed as those useless turbo lasers we’ve been seeing for nearly fifty years that can't hit a fighter even with the Death Star aiming. It's obviously a project made with passion by Jon Favreau, but it seems to prioritize showcasing available technical effects over delivering anything more than an introduction to what will almost certainly be another installment. The visuals are stunning on IMAX, but ultimately, it’s all rather forgettable, I’m afraid.
On October 4, 2026
#47
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