The Majestic’s opening moments practically shout its intentions. It announces itself as a film concerned with free speech and the Hollywood blacklist—very obviously so. Then, for most of its running time, the movie seems to lose sight of that initial theme. The majority of the story unfolds like a typical feel-good movie from the 1950s; the plot, performances, and overall atmosphere all evoke that era. The film then shifts gears again, delivering on that original message about the First Amendment with what could be described as an unsubtle approach. It feels somewhat disconnected, but strangely, this disjointedness seems to align with the movie’s initial concept. It's possible the filmmakers intended it to feel like a film within a film. It’s enjoyable enough for a single viewing, but repeated viewings are likely to be tedious.

Source on TMDB