The Last House feels like two distinct movies joined together—a slow-paced opening section that doesn't quite know what it wants to be, followed by a more engaging middle portion which ultimately leads to a hasty conclusion seemingly designed to set up future installments rather than provide closure. Greta Lee and Wagner Moura deliver committed performances, and the house itself, with its intricate design and tangible sense of decay, is an impressive feat of filmmaking that enhances every scene taking place within it. However, the screenplay doesn't delve deeply into the concepts it introduces, overlooking potentially meaningful themes such as loneliness, reliance on technology, and the true price of safety for a family. It’s a film likely to provoke strong reactions, causing disappointment for some viewers even as it entertains others, and it’s understandable why Netflix delayed its release until very close to launch.

Source on TMDB