Geoffrey Rush and Colin Firth form an unusual but effective combination in this moving story about King George VI’s struggle with his stammer. When the then Duke of York (Firth) found public speaking intensely stressful, his wife (Helena Bonham Carter) sought out an alternative to simply stuffing marbles in his mouth. As "Mrs. Johnson," she arranges a meeting with speech therapist Lionel Logue (Rush), who agrees to see him only if he visits Logue’s office. Unaware of their true identities, the royal couple arrive, and after Logue's initial surprise, he begins treating his wealthy new clients in a respectful but not overly formal way. Over time, it becomes clear that improvements are being made – not just with the Prince’s ability to speak clearly, but also in his overall demeanor. He develops an affection for Logue, who reciprocates, and through model airplane kits, some old-fashioned English phrases, and all under the watchful eye of the Duchess, the young man is better prepared for what lies ahead – specifically, following the Abdication Crisis. There’s a wonderful connection between the two men in this imagined account that provides an insightful look at how harsh society could be toward those who stammered, regardless of their position. Rush also portrays Logue's roles as a professional, a devoted family man, and an aspiring actor with equal skill and humor. Director Tom Hooper wisely focuses primarily on these two characters. Helena Bonham Carter offers occasional moments of levity, and Sir Derek Jacobi appears as the rather stern Archbishop Lang, but largely it’s just those two. We know what truly occurred historically, yet over the course of these two hours, we come to feel like we understand a bit about the man behind the crown, his direct and honest advisor, and the basis for their friendship. There are no special effects or unnecessary frills – just a well-written script, excellent production design, and two compelling performances.
On September 29, 2026
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