The movie is skillfully made, though its biggest weakness lies in attempting to portray teenage love as something everlasting. The question of what happens after death has occupied humanity throughout history and remains without a definitive answer. This will likely continue because humankind’s constant pursuit of knowledge seems destined to encounter limitations that are impossible to overcome. Essentially, people aren't meant to know everything, regardless of their desire to do so. Faith traditions have offered explanations for this mystery, and it appears no religion denies the existence of life beyond physical death. The specifics of what that existence entails vary between belief systems, along with how those beliefs are presented. The film never explores faith or religious perspectives, leaving us unaware of Tessa and Skylar’s personal beliefs—the two central characters. We witness their brief teenage romance culminating in a sudden tragedy: an accident resulting in his death and her injury. Later, she begins to perceive unusual occurrences, leading her to believe that her deceased boyfriend is attempting to communicate with her. The screenplay is well-written, the story is enjoyable, and the influence of “Ghost” is immediately apparent. Flashbacks are used extensively, but they’re generally easy to follow. Despite its merits, the film doesn't offer anything entirely new and features moments that feel overly sentimental, presenting a romance with excessive sweetness—typical for young lovers, perhaps, but potentially irritating to more mature viewers. Let's be honest, it was just a summer fling! It’s unlikely to have been Tessa’s great love. I don’t know many couples who stay together from their teenage years through life, and such relationships aren't common. Regardless of the young woman’s pain and trauma surrounding her loss, equating it to the grief of losing a parent or child feels disproportionate. Furthermore, supernatural elements and the idea of spirits don’t resonate with everyone, even those whose faith acknowledges their existence. Kyle Allen and Joey King portray the leads; both are relatively new actors who have much further to go if they want sustained careers in film and television. I can't say they performed poorly—in fact, considering their age, they both seem to have done a commendable job, particularly King, who has more screen time, better material, and more acting experience. Their on-screen chemistry is also effective, lending some believability to their romance. However, there’s something lacking: an intensity and maturity that would elevate the performances. Technically, the film relies heavily on CGI and digital effects. This is increasingly standard practice, especially in movies with supernatural themes, making it difficult to avoid significant investment in special effects. I found them generally pleasing, particularly the TV static effect, the breaking mirror sequence, and the slow motion that followed—which evoked “Matrix.” The bluish cloud pursuing and eventually driving the car felt cliché and exaggerated. The cinematography is fairly conventional but well-executed, with good color and lighting, and the editing provides a safe and agreeable pace. The film’s settings, sets, and costumes are predictable, and the soundtrack isn't particularly memorable.

Source on TMDB