A clandestine group exists, coexisting secretly within our society. They aren't quite human or animal, but occupy a space somewhere in between. For the sake of quality television, news reporter Karen White (Dee Wallace) develops a connection with serial killer Eddie Quist (Robert Picardo). However, their meeting nearly ends tragically and leaves lasting psychological scars on Karen. Her therapist suggests she take some time to recover with her husband at an isolated retreat, but it quickly becomes apparent that something isn’t right there. Considered by many to be a truly excellent werewolf film—perhaps one of the very best—The Howling has suffered somewhat over the years due to numerous sequels and similar movies, though its significance remains undiminished. It's easy to overlook the fact that The Howling redefined werewolves, creating its own unique monster rather than relying on familiar elements from older films. Director Joe Dante pays tribute to those who came before, cleverly naming several characters after directors of werewolf movies. A nice touch. It’s also often forgotten, possibly overshadowed by the release of An American Werewolf in London later that year, that Dante's film frequently employs a tongue-in-cheek approach. It happily satirizes the horror genre it appreciates, and some of the comedic visuals are intentionally understated and amusing. Yet, this is still a horror movie, and it certainly delivers on thrills and suspense, even incorporating elements of sexuality. These werewolves are entirely savage, and in their human guise, they seem to enjoy having their hidden nature. This appears to be just an initial settlement for now, but the ultimate goal of dominating all humans seems very appealing and is definitely planned. Horror enthusiasts sometimes find themselves debating the merits of effects artists Rob Bottin and Rick Baker—who’s better? It's a question that really doesn’t have a definitive answer; both are masters of their respective fields. Bottin handled the effects for this film, while Baker served as a consultant before contributing his talents to An American Werewolf in London. The transformation scenes are exceptional and still impress today as examples of outstanding artistry—no cheap CGI here. Not at all. The Howling is frightening, sensual, and humorous, and knowing Dante, perhaps even carries some political undertones. It's an enjoyable werewolf film whose influence on horror deserves constant recognition. 9/10

Source on TMDB