Gregory Peck, sporting a mustache, portrays “Ringo,” a celebrated gunslinger who’s supposedly turned over a new leaf, returning to his hometown with the intention of reconnecting with an old love named "Peggy" (Helen Westcott) and a son he hasn't yet encountered. The townspeople aren’t exactly welcoming, particularly the older women who disapprove of him, and neither is "Peggy" nor the sheriff (Milllard Mitchell), who seems reasonable. As word gets around about his presence, “Ringo” finds himself becoming a target for those eager to challenge this figure of legend. "Bromley" (Skip Homeier) emerges as one of the most troublesome individuals, and with mounting tension, it’s unclear how long “Ringo” can rely on his intelligence rather than resorting to violence. Karl Malden delivers a solid performance as the bartender who becomes entangled in the growing danger. Director Henry King maintains audience engagement for nearly ninety minutes, leading viewers on a journey that steadily and skillfully creates a feeling of impending threat. Peck is at his best, and Homeier also stands out as the young man driven by ambition and a desire for notoriety. The script is economical; it's well-scored by Alfred Newman and unfolds at a measured pace, giving the impression we anticipate what’s going to occur – but will it?

Source on TMDB