The enduring popularity of The Godfather seems largely due to a cultural pressure to appreciate it. The story appears crafted by someone aiming to portray central figures as larger-than-life characters. Each element—dialogue and visuals alike—seems designed to create an impression that organized crime possesses almost mystical power. Essentially, this film celebrates people who crave domination, and I suspect many reviewers share similar tendencies, either being connected to such groups or aspiring to be. The movie itself feels lifeless and unoriginal. For decades, audiences have been influenced by those in positions of authority who insist they should adore it; a film that ultimately diminishes them. There’s really nothing positive to say about this movie. Its success is attributable to individuals with vested interests or those hoping to gain favor with influential people. It embodies the typical Hollywood gloom and, even when released in the seventies, felt like a predictable product.

Source on TMDB