The film demonstrates competence in its direction and cinematography, and the initial unfolding of Margaret’s narrative proved engaging. However, the latter portion loses some appeal when it introduces the antichrist and attempts to connect with the first **Omen**, a movie released nearly five decades prior; this connection may not resonate with contemporary audiences. The film relies sparingly on jump scares, featuring only a few early on, and lacks any prolonged sense of dread. While there are peculiar scenes, they aren’t likely to cause anyone lasting unease.

Source on TMDB