Hobo with a Shotgun, directed by Jason Eisener and written by John Davies, features Rutger Hauer, Brian Downey, Gregory Smith, Molly Dunsworth, Robb Wells, and Nick Bateman. The film’s music is composed by Alexander Rosborough, and Karim Hussain handled the cinematography. The story follows a homeless man (Hauer) who rides a freight train into Hope Town, only to discover a community consumed by corruption, violence, drugs, and sexual depravity. Initially attempting to avoid involvement and simply survive, he eventually reaches his limit and decides he can’t stand idly by while such lawlessness continues. Acquiring a shotgun from a local pawn shop, the hobo embarks on a one-person mission of vengeance. Originating as a short film that accompanied the original release of Rodriguez/Tarrantino's Grindhouse double feature, Hobo with a Shotgun is horror exploitation created with obvious enthusiasm. It combines Death Wish–style vigilantism with the low-budget style of 1970s and 1980s films, resulting in an extremely tasteless but thoroughly entertaining movie. The violence is exaggerated and intensely bloody, involving exploding heads, punctured bodies, and increasingly unusual deaths. The characters who populate Hope Town are unpleasant and strange as well. From the Ivan & Slick, brothers who seem to be a tribute to Tom Cruise's roles, to a pedophile Santa Claus, and on to The Plague—two fetishistic killers in metal suits sent to eliminate the hobo—it’s definitely an entry into bizarre territory. The film is elevated by Hauer’s performance, who manages to convey genuine emotion even as his character succumbs to rage and delivers death with memorable lines. While the supporting cast consists of lesser-known actors, this actually works in the film's favor; the story doesn’t require big stars to succeed, and viewers will likely remember the characters portrayed rather than the actors themselves. With appropriately vivid Technicolor cinematography by Hussain and a fitting score by Rosborough, all the necessary elements for a Grindhouse movie are present. It essentially delivers on its promise, although it occasionally leans toward being crude, and any intended social commentary is lost as Eisener gets caught up in the carnage. Nevertheless, it’s an enjoyable experience geared towards adults who recall movies from the era that this film references and satirizes with cleverness. 8/10

Source on TMDB