The story centers around Anthony Higgins playing the role of "Neville," who finds himself noticed by “Mrs. Herbert” (Janet Suzman), a woman dissatisfied with her marriage. She develops a scheme to pursue him, arranging for him to create twelve sketches of their home in exchange for £8 per drawing and unrestricted access to her. The situation becomes even more favorable when “Mr. Herbert” is away, allowing the arrangement to proceed. However, things become complicated when "Mrs. Talmann" (Anne-Louise Lambert) enters the picture with a proposition of her own. She’s burdened by her husband, "Talmann" (Hugh Fraser), who seems incapable of producing an heir, and her offer to “Neville” comes with stricter conditions – something he initially welcomes. The question arises: is he truly benefiting from this situation, or is he being manipulated by one or both women? And what has become of “Mr. Herbert”? Peter Greenaway styles the film with a Regency aesthetic; the costumes—particularly the wigs—are deliberately over-the-top to highlight the superficiality and triviality of their privileged lives, and the humor manages to remain mostly on the satirical side of crude. Suzman delivers a strong performance, as does Lambert, although I felt Higgins was somewhat lacking in strength for the lead role; nevertheless, it's an enjoyable production with a vibrant score reminiscent of Handel composed by Michael Nyman. Even after four decades, the film retains its ability to mock and expose societal failings, boasts sharp writing, and is certainly deserving of viewing.

Source on TMDB