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Disclosure Day (2026)

2026 • 2h 26m • Thriller, Science Fiction • PG-13
On September 25, 2026
#78▼ 11
78th by Pulse movie online
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All reviews

Martin Oaks on Disclosure Day

4/10 · Aug 6, 2026

Daniel (played by Josh O'Connor) works as a cybersecurity analyst and discovers classified video files that reveal the government has been capturing and torturing beings not from Earth since the Roswell incident. Becoming a target himself, he teams up with Margaret Fairchild (Emily Blunt), a TV meteorologist who is experiencing unusual sensory distortions. They begin a desperate effort to share this information about alien life with everyone, while trying to evade a relentless government employee portrayed by Colin Firth, determined to suppress these files from being released. "Disclosure Day" represents Steven Spielberg’s return to science fiction stories involving contact with extraterrestrial beings—a genre he previously provided some truly exceptional films like "Close Encounters of the Third Kind." Sadly, this project comes across more as a self-serving endeavor rather than a new and updated perspective on the subject. The initial portion of the movie functions reasonably well as a suspenseful story about a corporate cover-up. The characters' attempts to evade capture are kept at a brisk speed, and the visuals are, as expected, excellent, though they also include some odd details and confusing plot points. However, as the narrative continues, David Koepp’s screenplay becomes muddled with pseudo-scientific explanations concerning childhood experiences and the main characters’ supposed psychic powers, which really takes away from the feeling of urgency surrounding their flight. The film's biggest problem is its sense of self-importance regarding moral and philosophical ideas. Spielberg spends too much time stressing the significance of belief, connection, and humanity's role in existence to the point where he neglects to provide viewers with a proper ending. Abruptly stopping the final confrontation and simply fading to black after the word "Listen..." isn’t an artistic or profound cinematic choice—it feels like a shortcut to avoid addressing the questions raised throughout the more than two hours of story.

Source on TMDB