The premise wasn’t one of identity theft; rather, it involved being compelled to assume another person’s form. The movie draws from a book recounting the real-life experiences of Latif, a young Iraqi man who was made to impersonate Uday, Saddam Hussein's son known for his indulgent lifestyle. That initial concept didn’t particularly grab my attention. Biopics often aim to uplift audiences, but there are also films that offer a darker perspective, and this falls into that category. The narrative largely avoids delving into Saddam or his politics or family—with the exception of Uday—and instead unfolds from Latif's point of view, detailing his struggles and resistance. I delayed seeing it, and I believe my initial hesitation was misplaced. While intended for a mature audience, the film exposes some disturbing aspects of Uday’s life. It doesn't explore many events involving Saddam Hussein himself. The director did what he could with the material. Dominic Cooper’s acting in the two roles stood out as particularly noteworthy; that alone might be enough to warrant watching, because I suspect many people are put off by the subject matter. This film serves as a reminder of a difficult period and the actions of those responsible, and beyond that, it doesn't offer much more. _6/10_

On September 20, 2026
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