Those of us who’ve been around for a while will recall “Laugh In” on television and Flip Wilson's frequently repeated line, "The devil made me do it!" It became, similar to "Sock it to me" from that same program, a popular saying of the era. “The Devil’s Candy” definitely aligns with the idea of characters being driven by something beyond their control. In this story, an unseen force compels one person to commit acts of violence and another to create unsettling artwork without any conscious memory of doing so. Instead of resorting to predictable tropes—like summoning a priest, which we've witnessed countless times—the narrative unfolds as a very relatable portrayal of a man struggling with what medical professionals would identify as a mental health condition, and another grappling with an all-consuming fixation that’s damaging his family. That doesn't mean the film lacks unsettling moments; it certainly has some intensely disturbing and violent scenes! However, these are handled without excessive gore or blood, so they don’t fall into the category of cheap shock tactics. They function more as genuine horrors because they reveal just enough to create a sense of unease. The movie also quietly comments on how our society often falls short when it comes to supporting people with mental illnesses and histories of violent behavior. The performances are excellent across the board. Ethan Embry, Shiri Appleby (it’s good to see her again), Kiara Glasco, and Pruitt Taylor Vince all deliver strong work, completely immersing us in their characters' lives.

On September 22, 2026
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