If you found "Blade Runner" (1982) gloomy, prepare for a devastated cityscape perpetually drenched in downpours. The narrative unfolds through flashbacks revealing the graves of a young couple on the verge of marriage. Their demise occurred after local crime boss “Top Dollar” (Michael Wincott), wanting their property, sent his thugs to force them out. A year later, a crow lands upon the grave of "Eric" (Brandon Lee), reanimating him so he can seek retribution for the violence inflicted on himself and his fiancée. What follows is a somber revenge story where this former musician surprisingly acquires deadly ninja abilities as he systematically targets various drug dealers, while maintaining some morality by forming an alliance with local police officer “Albrecht” (Ernie Hudson) and reconnecting with young "Sarah" (Rochelle Davis), whose mother is another casualty of the city's despair. It’s the mysterious "Myca" (Bai Ling) who identifies a weakness in our hero, leading to a tense confrontation as "Eric" approaches the final phase of his quest for peace and a return to his own grave. Lee delivers a compelling performance, and Alex Proyas alongside cinematographer Dariusz Wolski utilize the bleak, waterlogged, and ruined setting to portray both physical decay and societal corruption. The dialogue is primarily carried by Hudson's engaging portrayal, who also harbors resentment towards his fellow officers for demoting him after he attempted to investigate "Dollar’s" operations. Watching this film prompts reflection on the many characters it has influenced, demonstrating how revenge horror can be effective without relying solely on extravagant special effects or startling moments. Experiencing this movie in a theater—a large, dark space that immerses you in the sound of that constant rain—is definitely the ideal way to view it.

Source on TMDB