This is a truly wonderful film that continues to bring enjoyment. It's an adventure, comedy, romance, and musical intended for everyone in the family. It’s not common for a movie to be written specifically with one actor in mind, especially when that performer delivers a flawless performance—but Danny Kaye is just that kind of talent. A playful imitation of *The Adventures Of Robin Hood*, it even managed to secure Basil Rathbone as the villain (and it surpasses something like *Men In Tights* by a wide margin). This is an overlooked masterpiece that I frequently watch, finding new details and laughing along each time. It’s one of those films capable of instantly improving your mood or at least bringing a smile to your face. The story begins slowly and simply, gradually becoming more complex, weaving its medieval elements together into a beautiful and well-organized whole, wrapping up everything as all good musicals should. The dialogue is something we rarely encounter in modern movies, and the delivery of each line is impeccable, from the classic chalice from the palace to: “I’d like to get in, get on with it, get it over with, and get out. Get it? “Got it.” “Good.” The movie offers countless quotable lines (the quotes section on IMDB is quite extensive). The casting is superb; Kaye is supported by Johns and Landsbury, who move through their scenes with grace and beauty, while Rathbone sneers and plots his way through his limited screen time. The swordplay in the final fight is spectacular—comparable to some of the best (like *The Princess Bride*) regarding skill and inventiveness. And the small actions the actors perform throughout the film—nods, winks, kicks—demonstrate outstanding detail and timing worthy of the greatest comedians. What else? The costumes (perfectly realized by Edith Head) and sets are gorgeous. The coloring is striking in a way that few films achieve. And the music will stay with you long after the credits roll. They even attempted to make the end credits entertaining, featuring Danny Kaye singing about the various roles involved in making the movie. My reservations (and why it doesn’t quite reach five stars) involve the pacing (it's slow at first), the effects (like rope swings), and the feel of a "march" which seems dated now. However, I fell in love with this film as a child when my mother introduced me to it. It became a regular viewing choice on video, and over time, it’s only gotten better; like any long-held affection, the flaws fade into insignificance. It ranks among my top ten films of all time.

Source on TMDB